Boasting a number of 76 movies from 33 nations unfold throughout seven sections, this yr’s Marrakech Movie Pageant will provide no scarcity of cinematic treasure. Operating over Nov. 11 – 19, the competition’s 19th version will open with “Guillermo del Toro’s “Pinocchio” forward of gala screenings of James Grey’s “Armageddon Time,” Paul Schrader’s “Grasp Gardener,” and Sally El Hosaini’s “The Swimmers.”
Whereas internet hosting a handful of world premieres – together with Anurag Kashyap’s Bollywood-flavored “Nearly Love,” to be offered open air at Marrakech’s Jemaa El Fna Sq. – this yr’s competition may even highlight numerous jewels from the competition circuit.
Beneath are fourteen standouts from this yr’s program.
“Abdelinho” (dir. Hicham Ayouch) (Moroccan Panorama)
Satirical comedy “Abdelinho” follows a younger Moroccan man with samba in his bones and Brazil ever on his thoughts. Director Hicham Ayouch’s vivid crowd-pleaser is one in every of a number of completed initiatives to graduate from a slot at a earlier version of the Atlas Workshop to a showcase at this yr’s competition.
“Alma Viva”(dir. Cristèle Alves Meira) (Competitors)
Portugal’s Oscar submission, “Alma Viva” casts a bittersweet look on the ties that bind, following a pre-adolescent woman left to mourn in solitude whereas her wider household tears itself aside after their matriarch’s passing. Mixing touches of autobiography with folks tales and magical realism, the movie tracks a younger woman with an outdated soul.
“Nearly Love” (dir. Anurag Kashyap) (Jemaa El Fna)
Eclectic auteur Anurag Kashyap marks a musical change of tempo on this story of tragic love, which follows two units of star-crossed on two parallel tracks. Making its world premiere in Marrakech, Kashyap’s newest effort reframes Bollywood musical conventions from a poppy and skewed perspective.
“Autobiography” (dir. Makbul Mubarak) (Competitors)
A younger man searching for a mentor and the older, retired common whom he serves kind an ever-tightening bond of violence in Makbul Mubarak disquieting thriller. Questions of loyalty, patriarchy, and the legacy of Indonesia’s three-decade navy dictatorship tinge this confident debut function.
“The Blue Caftan” (dir. Maryam Touzani) (Competitors)
Morocco’s personal Oscar submission, “The Blue Caftan” gained the Fipresci Prize out of Cannes earlier than claiming additional honors at festivals in Chicago, Vancouver and New York. Directed by Maryam Touzani and produced by Nabil Ayouch, the sensual drama confronts custom and taboo in a tightly knit, homophobic society.
“The Damned Don’t Cry” (dir. Fyzal Boulifa) (Particular Screenings)
An itinerant mom and her adolescent son are each pulled into totally different types of intercourse work as they hit the street searching for better stability and alternative. Mixing social realism with household drama, Fyzal Boulifa’s sophomore function has earned animated acclaim throughout the competition circuit.
“Faraway Track” (dir. Clarissa Campolina) (Competitors)
A global premiere at this yr’s competition, Clarissa Campolina’s first solo directorial outing follows a younger, biracial lady trying to find id, company and escape in a stifling and conservative local weather. “The movie dialogues with modern Brazil and with the problems and emotions of our time,” the director instructed Selection.
“Goldfishes” (dir. Abdeslam Kelai) (Moroccan Panorama)
One other graduate of the Atlas Workshops, director Abdeslam Kelai’s naturalistic drama follows three ladies on the outskirts of society, counting on improvisation, overlapping dialogue and tight camerawork to create a way of full immersion right into a harsh, Northern Moroccan milieu alleviated by the bonds of friendship.
“Mediterranean Fever” (dir. Maha Haj) (Gala Screenings)
Palestine’s Oscar submission and winner of the Un Sure Regard screenplay prize, Maha Haj’s “Mediterranean Fever” takes a darkly comedian take a look at two middle-aged neighbors turned best-frenemies. “I’ve all the time been fascinated by friendships between males,” Haj instructed Selection earlier this yr. “They are often totally different and intriguing and I wished to play with this.”
“Muna Moto” (dir. Jean-Pierre Dikongué-Pipa) (The 11th Continent)
This brand-new restoration of a groundbreaking Cameroonian movie will display on the African continent for the time in Marrakech, making the title an actual level of delight for inventive director Remi Bonhomme. “It’s crucial to point out how Arab and African cinema was on the forefront of the avant-garde,” he tells Selection. “As a result of nonetheless at the moment this movie shows nice narrative modernity.”
“Riceboy Sleeps” (dir. Anthony Shim) (Competitors)
Winner of the Platform Prize out of Toronto, Anthony Shim’s coming-of-age immigration drama would declare subsequent prizes in Vancouver and Busan and from the Director’s Guild of Canada, successful popularity of its poignancy, sensitivity, and formal sophistication.
“Savage” (dir. Ahmed Abdullahi) (Competitors)
One other world premiere, director Ahmed Abdullahi’s function debut follows a single-mother struggling to boost a seven-year-old daughter whereas scrapping it out within the octagon as a younger and promising fighter on the MMA scene.
“Summer season Days” (dir. Faouzi Bensaïdi) (Moroccan Panorama)
Set on a as soon as grand Tangiers property and following a debt-ridden household spending one final summer time collectively, acclaimed filmmaker Faouzi Bensaïdi’s ensemble drama makes its world premiere at this yr’s competition. Sprawling in focus and concise in size, this household saga will open the Moroccan Panorama program.
“Queens” (dir. Yasmine Benkiran) (Particular Screenings)
Yasmine Benkiran’s raucous street film — a couple of trio of ladies tearing by way of the Moroccan panorama with the police scorching on their path – was offered first as a growth title on the inaugural version of the Atlas Workshops after which as a undertaking in post-production finally yr’s on-line version. Now, the rock’n’roll experience is able to meet its public.